The Sanaa palimpsest (also Ṣanʽā’ 1 or DAM 01-27.1) is one of the oldest Quranic manuscripts in existence. Part of a sizable cache of Quranic and non-Quranic fragments discovered in Yemen during a 1972 restoration of the Great Mosque of Sanaa, the manuscript was identified as a palimpsest Quran in 1981; as it is written on parchment and comprises two layers of text. The upper text largely conforms to the standard 'Uthmanic' Quran in text and in the standard order of suras; whereas the lower text contains many variations from the standard text, and the sequence of its suras corresponds to no known quranic order. A partial reconstruction of the lower text was published in 2012; and a reconstruction of the legible portions of both lower and upper texts of the 38 folios in the Sana'a House of Manuscripts was published in 2017 utilising post-processed digital images of the lower text. A radiocarbon analysis has dated the parchment of one of the detached leaves sold at auction, and hence its lower text, to between 578 CE and 669 CE with a 95% accuracy.
DiscoveryIn 1972, construction workers renovating a wall in the attic of the Great Mosque of Sana'a in Yemen came across large quantities of old manuscripts and parchments, many of which were deteriorated. Not realizing their significance, the workers gathered up the documents, packed them away into some twenty potato sacks, and left them on the staircase of one of the mosque's minarets.
Qadhi Isma'il al-Akwa', then the president of the Yemeni Antiquities Authority, realized the potential importance of the find. Al-Akwa' sought international assistance in examining and preserving the fragments, and in 1979 managed to interest a visiting German scholar, who in turn persuaded the West German government to organize and fund a restoration project. The preserved fragments comprise Quranic and non-Quranic material.
Restoration projectRestoration of the fragments began in 1980 under the supervision of the Yemeni Department for Antiquities. It was funded by the Cultural Section of the German Foreign Ministry. The find includes 12,000 Quranic parchment fragments. All of them, except 1500–2000 fragments, were assigned to 926 distinct Quranic manuscripts as of 1997. None is complete and many contain only a few folios apiece. "Albrecht Noth (University of Hamburg) was the director of the project. Work on the ground began in 1981 and continued through the end of 1989, when the project terminated with the end of funding. Gerd R. Puin (University of Saarland) was the director beginning with 1981. His involvement came to an end in 1985, when Hans-Caspar Graf von Bothmer (University of Saarland) took over as the local director. Bothmer left Ṣan'ā' in the following year, but continued to run the project from Germany, traveling to the site almost every year.
Beginning in 1982, Ursula Dreibholz served as the conservator for this project, and worked full-time in Ṣan'ā' until the end of 1989. She completed the restoration of the manuscripts. She also designed the permanent storage, collated many parchment fragments to identify distinct Quranic manuscripts, and directed the Yemeni staff in the same task. The manuscripts are located in the House of Manuscripts, the Dār al-Makhṭūṭāt (DAM), in Ṣan'ā', Yemen. After 1989, Bothmer would visit the collection periodically. In the winter of 1996–7, he microfilmed all of the parchment fragments that have been assigned to distinct Quranic manuscripts. Of the remaining 1500–2000 fragments, he microfilmed a group of 280. The microfilms are available in Ṣan'ā' in the House of Manuscripts. A selection of 651 images of fragments from the Sana'a cache - including several from DAM 01-27.1, has been issued on a CD-ROM through the UNESCO 'Memory of the World' programme.
The Sana'a Palimpsest was given the catalog number DAM 01-27.1; indicating a manuscript with variable lines to the page (hence '01'), written line length of approx 27 cm, and with a sequence indicator of '1'. By 2015 some 38 folio fragments had been identified as likely to belong to this particular manuscript. From 2007, a joint Italian-French team under Sergio Noja Noseda and Christian Robin undertook to produce new high-resolution digital images of DAM 01-27.1 (and other selected manuscripts in the cache), under both natural and ultra-violet light, which have since been subject to extensive computerised post-processing by Alba Fedeli to separate upper from lower texts. The high resolution images form the basis for the editions of both Sadeghi and Gourdazi, and of Asma Hilali. However, only Asma Hilali and Alba Fedeli have been able to utilise the post-processed images.
Contents of the manuscriptThe manuscript is a palimpsest, meaning the parchment was written over once (the "lower" text), then its text was erased, and then it was written over a second time (the "upper" text) with this process potentially being repeated over time with the same parchment. In the Sana'a palimpsest, both the upper and the lower text are the Qur'an written in the Hijazi script. The upper text appears to have been presented a complete text of the Qur'an, but whether this was also the case for the lower text remains an issue of scholarly debate. In the standard Qur'an, the suras are presented in an approximate sequence of decreasing length; hence a fragmentary Qur'an that follows the standard order of suras can generally be assumed to have once presented the complete text, but the contrary is not the case.
The manuscript that was discovered, however, is not complete. About 82 folios have been identified as possible sheets presenting the upper text, of which 38 are in Yemen's Dār al-Makhṭūṭāt (House of Manuscripts) and 4 in private collections (after being auctioned abroad). In addition in 2012, 40 palimpsest folios conserved in the Eastern Library of the Grand Mosque in Sana’a and published in 2004, were recognised as likely being detached folios of the upper text of DAM 01-27.1. Many of the folios in the House of Manuscripts are physically incomplete and in only 28 is the upper writing legible (due to damage), whereas those in private possession or held by the Eastern Library are generally in a better condition. These 82 folios comprise roughly half of the Quran. The parchment is of inferior quality; many folios having holes around which both upper and lower text have been written. However, when the scale of the writing and the provision of marginal spaces is taken into account, the overall quantity of animal hides implied as being committed to the production of a full manuscript of the Qur'an would not have been less than for such high quality Qur'ans as the Codex Parisino-petropolitanus (BNF Arabe 328(ab)).
Upper textThe upper text conforms closely with that underlying the modern Quran in use, and has been dated as probably from sometime between the end of the 7th and the beginning of the 8th century CE. Asma Hilali provides a full transcription of the upper text from the 26 legible folios in the House of Manuscripts, and found 17 non-orthographic variants in these pages, where readings differ from those in the "standard" Qur'an text, as presented in the 1924 Cairo edition. Five of these 17 variants in the upper text correspond to known Qira'at readings in the tradition of quranic variants.
The density of the writing of the upper text varies from page to page and within pages; such that the amount of text transcribed on each page varies from 18.5 lines of the standard Cairo edition to as many as 37 lines. Subsequent to the completion of the text, polychrome decoration has been added in the form of bands separating the suras, and indicators of 10, 50 and 100 verse divisions in a variety of particular forms. Much of these decorations are unfinished. In addition, the upper text formerly included individual verse separators – some contemporary with the text, others inserted later. The counts of verses corresponding to the polychrome verse indicators are not consistent with the counts of individual verse indicators, implying that the former were copied across other Qur'ans.
Lower textThe surviving lower text from 36 of the folios in the House of Manuscripts, together with the lower text from those auctioned abroad, were published in March 2012 in a long essay by Behnam Sadeghi (Professor of Islamic Studies at Stanford University) and Mohsen Goudarzi (PhD student at Harvard University). Prior to that, in 2010, Behnam Sadeghi had published an extensive study of the four folios auctioned abroad, and analyzed their variants using textual critical methods. The German scholar Elizabeth Puin (lecturer at Saarland University), whose husband was the local director of the restoration project until 1985, has also transcribed the lower text of several folios in five successive publications. The lower text of the palimpsest folios in the Eastern Library has not been studied or published yet, and it is not known how many of these folios may witness the same lower text as those in the House of Manuscripts; however, it appears likely that the four auctioned folios (whose lower texts have been studied, and which do appear to witness the same lower text) came from this section of the manuscript, and not from DAM 01-27.1.
The lower text was erased and written over, but due to the presence of metals in the ink, the lower text has resurfaced, and now appears in a light brown color, the visibility of which can be enhanced in ultra-violet light. Parchment was expensive and durable, and so it was common practice to scrape the writing from disused and damaged texts for potential re-use. But while there are other known instances of disused Qur'ans being reused for other texts, there are only a few known instances of a new Qur'an being written using re-used parchment, and all these examples are believed to have been from the Sana'a cache. The re-use in this case may have been purely for economic reasons. Otherwise Asma Hilali has proposed that both the upper and lower text show characteristics of being schoolroom "exercises" in quranic writing, in which case scraping and re-use was to be expected. Alternatively, the standardization of the Quranic text around 650 CE by 'Uthmān may have led to a non-standard lower text becoming obsolete, and erased in accordance with authoritative instructions to that effect.
In places, individual readings in the lower text appear to have been corrected in a separate hand to conform better to corresponding readings in the standard Qur'an. Elizabeth Puin has termed this hand the 'lower modifier', and proposes that these corrections were undertaken before the whole lower text was erased or washed off.
Although the suras of the lower text do not follow the canonical order and have many additional words and phrases, nevertheless, with only two exceptions, within each sura, the surviving lower text presents the same verses as the standard Qur'an and in exactly the same order – the exceptions being in sura 20, where Sadeghi and Goudarzi find that verses 31 and 32 are transposed, and in sura 9, where Sadeghi and Goudarzi find that the whole of verse 85 is absent, which he explains as "parablepsis, a form of scribal error in which the eye skips from one text to a similar text". Neither of these passages of the lower text are in folios that Asma Hilali found to be legible. Some of the variants between the lower text and the standard Qur'an are provided by Sadeghi and Goudarzi below.The page numbers refer to the edition by Sadeghi and Goudarzi. In their edition, a reliably read but partially visible letter is put in parentheses, while a less reliably read letter is put inside brackets. A pair of forwarding slashes mark an illegible area on the folio, while braces indicate a missing part of the folio. The list here does not include all the spelling variants. (Note: In the above table, parentheses or brackets are left out if they appear at the very beginning or end of a phrase, to avoid text alignment issues. Braces or forward slashes are preserved in all instances, but with the insertion of extra semicolons that help preserve text alignment.)
Characteristics of the hand in the lower textDéroche characterises the hand in the lower text as "very gauche and irregular" and "not the work of a skilled professional", with much variation in letter shapes and sizes. Lines per page vary from 25 to 30, and sometimes stray markedly from the horizontal. There are occasional diacritical dots to differentiate consonants, but only one possible instance of a dotted short vowel indicator. Otherwise, the text is written for the most part in scriptio defectiva without indication of long vowels, except that particular words are written in scriptio plena, for which the letter alif indicates a long vowel. Both verse indicators and crudely decorated sura divisions are provided in the original hand, and there are indicators for divisions of 100 and 200 verses. Individual verse divisions are indicated by patterns of dots, although the form of these patterns varies in different folios of the manuscript. Given that many verse divisions have been lost entirely, and that residual letter elements from deleted words may present as similar patterns of dots, it is not possible to determine how far the verse divisions in the lower text correspond to any of the many known traditions of quranic verse division. However, it does appear that the basmala formula is sometimes counted as a separate verse, contrary to the later quranic standard.
Reading instructionVisible in the lower text is the beginning of sura 9, which follows on from sura 8 in this text. Sura 9 At-Tawba is the only sura in the standard Qur'an which is not introduced by the basmala formula "In the name of God, the Most Gracious, the Most Merciful", the absence of the formula at this place sometimes being stated as indicating that the two suras 8 and 9 are to be considered as a single section of the Qur'an. Nevertheless, the lower text in the Sana'a palimpsest does introduce sura 9 with the basmala formula (on line 8 of folio 5a), but the following line then begins la taqul bi-smi Allahi ('Do not say "in the name of God"'). This notice therefore represents the intrusion of a non-canonical reading instruction into the body of the canonical text, undifferentiated from that text, and in this respect no parallel is known in the tradition of written Qur'ans. Moreover, by setting out the basmala formula, and then countermanding its being recited out loud, the text as it stands would create an uncertainty in ritual use to a degree that the conventions of quranic writing are generally designed to prevent.
Issues in current scholarship
Dating of the lower textThe lower text is believed to have been written sometime between 632–669 CE, as the parchment of the Stanford folio has been radiocarbon dated with 95% accuracy to before 669 CE, and 75% probability from before 646 CE. François Déroche puts the lower text to the second half of the 7th century. The lower text includes sura At-Tawba, which is believed in Islamic tradition to have been recited by Muhammad in 632 CE.
Relation of the lower text to other non-'Uthmanic quranic traditionsThe lower text is only capable of being distinguished from the upper text in some folios, and several folios are so damaged as to be wholly unreadable, so Asma Hilali was only able to transcribe the lower text contents of 11 folios, in which she identified 61 non-orthographic variations from the 1924 Cairo edition. The variations observed in the lower text tend to be more substantial than those observed in the upper text, for the most part involving the addition of whole words and phrases. Islamic tradition has described that other than the standard 'Uthmanic Qur'an, there existed two independently preserved and copied Qur'an codices from Companions of the Prophet, those of Ibn Mas'ud and Ubayy b. Ka'b. Before the Sana'a manuscript, no partial or complete Qur'an codex in a tradition other than the 'Uthmanic standard had ever been found. And while early Islamic witnesses report readings found in these two alternative codices, they do not collate their full texts. Elizabeth Puin and Asma Hillali report little or no correspondence between the variations from the 'Uthmanic Qur'an that they have found in the lower text with those reported for Ibn Mas'ud or Ubayy b. Ka'b, whereas Sadeghi and Goudarzi claim to be able to identify extra variations in the lower text of the Sana'a codex with similarities to the codex of Ibn Mas'ud as well as differences. Hence they report an overlap between the variants of Ibn Mas'ud and the Sana'a manuscript, although there are variants in Ibn Mas'ud not found in the lower text and vice versa, with the differences much outnumbering the correspondences. Additionally, the Sana'a manuscript puts sura Tawba after sura Anfal, whereas Ibn Mas'ud's codex did the opposite.
Media coveragePuin and his colleague Graf von Bothmer have published only short essays on the Ṣana'a find. In a 1999 interview with Toby Lester, the executive editor of The Atlantic Monthly website, Puin described the preserved fragments by the following:
So many Muslims have this belief that everything between the two covers of the Quran is Allah's unaltered word. They like to quote the textual work that shows that the Bible has a history and did not fall straight out of the sky, but until now the Quran has been out of this discussion. The only way to break through this wall is to prove that the Quran has a history too. The Sana'a fragments will help us accomplish this.
Puin claimed that the Yemeni authorities want to keep work on the Ṣana'a manuscripts "low-profile".
In 2000, The Guardian interviewed a number of academics for their responses to Puin's remarks, including Tarif Khalidi, and Professor Allen Jones, a lecturer in Koranic Studies at Oxford University. In regard to Puin's claim that certain words and pronunciations in the Koran were not standardized until the ninth century, The Guardian reported:
Jones admits there have been 'trifling' changes made to the Uthmanic recension. Khalidi says the traditional Muslim account of the Koran's development is still more or less true. 'I haven't yet seen anything to radically alter my view,' he says. [Jones] believes that the San'a Koran could just be a bad copy that was being used by people to whom the Uthmanic text had not reached yet. 'It's not inconceivable that after the promulgation of the Uthmanic text, it took a long time to filter down.'
The article noted some positive Muslim reaction to Puin's research. Salim Abdullah, director of the German Islamic Archives, affiliated to the Muslim World League, commented when he was warned of the controversy Puin's work might generate, "I am longing for this kind of discussion on this topic."
Based on interviews with several scholars, Sadeghi and Goudarzi question Puin's claims regarding Yemeni suppression of research on the manuscripts and Puin's statement that the Yemenis did not want others to know that work was being done on them. For instance, they note that in 2007 Sergio Noja Noseda (an Italian scholar) and Christian Robin (a French archaeologist) were allowed to take pictures of the Sana'a palimpsest. They write that according to Robin, his colleagues were "granted greater access than would have been possible in some European libraries." They report a similar view from Ursula Dreibholz, the conservator for the restoration project, who describes the Yemenis as supportive. They quote Dreibholz as saying that the Yemenis "brought school children, university students, foreign delegations, religious dignitaries, and heads of state, like François Mitterrand, Gerhard Schröder, and Prince Claus of the Netherlands, to see the collection."
Sadeghi and Goudarzi conclude:
Although the Yemeni authorities' openness proved a boon to scholarship, they were to be punished for it. The American media amplified the erroneous words of G. Puin, purveying a narrative that belittled Yemen and misrepresented the work done there. The Arab press, in turn, exaggerated the American story. The outcome was a media discourse in Yemen borne of three stages of misrepresentation. This embarrassed the Yemeni authorities responsible for the House of Manuscripts, and the Head of the Antiquities Department had to defend before Parliament the decision to bring in the foreigners.
In the wake of the Birmingham Quran manuscript news story of 2015, Gabriel Said Reynolds, professor of Islamic Studies and Theology, published a commentary clarifying the unique differences between extant ancient Qur'an copies. He defines the lower text of the Sana'a palimpsest as ”a rare Qur’anic palimpsest – a manuscript preserving an original Qur’an text that had been erased and written over with a new Qur’an text.” Reynolds explains that the lower script of the Sana'a palimpsest ”has so many variants that one might imagine it is a vestige of an ancient version that somehow survived Uthman’s burning of all versions of the Qur’an except his own.” He concludes this finding is problematic because the Sana'a variants ”do not match the variants reported in medieval literature for those codices kept by companions” of Muhammad. Furthermore, Reynolds affirms the ”Sanaa manuscript... is almost certainly the most ancient Qur’an manuscript [and] contains a surprising number of variants, including completely different words.” Reynolds concludes that the Sana'a manuscript is ”our most ancient manuscript of the Qur’an [and] does not agree with the standard text read around the world today.” However with the radiocarbon-dating of the Birmingham Quran manuscript to before the year 645 with a 95.4% accuracy, the latter is believed to be older then the Sana'a manuscript, and is seen as the oldest Quran manuscript. Moreso, the discovery of a Quran manuscript by the University of Tübingen in 2014 also proved to date from the early second half of the 7th century. A more recent study of one of the most ancient Quran manuscripts by François Déroche was the Codex Parisino-petropolitanus, containing 46% of the text of the Quran, dated to the early second half of the 7th century, from around the same as the Sana'a manuscript.